Orhan pamuk essays and a story

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Orhan Pamuk's first book since winning the Nobel Prize, Other Colors is a dazzling collection of essays on his life, his city, his work, and the example of other writers. Over the last three decades, Pamuk has written, in addition to his seven novels, scores of piecespersonal, critical, and meditativethe finest of which he has brilliantly woven together here. He opens a window on his private life, from his boyhood dislike of school to his daughter's precocious melancholy, from his successful struggle to quit smoking to his anxiety at the prospect of testifying against some clumsy muggers who fell upon him during a visit to New York City.

From ordinary obligations such as applying for a passport or sharing a holiday meal with relatives, he takes extraordinary flights of imagination; in extreme moments, such as the terrifying days following a cataclysmic earthquake in Istanbul, he lays bare our most basic hopes and fears. Again and again Pamuk declares his faith in fiction, engaging the work of such predecessors as Laurence Sterne and Fyodor Dostoyevsky, sharing fragments from his notebooks, and commenting on his own novels. He contemplates his mysterious compulsion to sit alone at a desk and dream, always returning to the rich deliverance that is reading and writing.

By turns witty, moving, playful, and provocative, Other Colors glows with the energy of a master at work and gives us the world through his eyes, assigning every radiant theme and shifting mood its precise shade in the spectrum of significance.

Orhan Pamuk - Balkon - Conversation between Orhan Pamuk and Gerhard Steidl

The Implied Author 2. My Father 3. Notes on April 29, 4. Spring Afternoons 5. Dead Tired in the Evening 6.

Orhan Pamuk - Wikipedia

Out of Bed, in the Silence of Night 7. Giving Up Smoking 9. Seagull in the Rain A Seagull Lies Dying on the Shore To Be Happy My Wristwatches I'm Not Going to School Ruya and Us When Ruya Is Sad The View What I Know About Dogs A Note on Poetic Justice After the Storm In This Place Long Ago Barbers Fires and Ruins Frankfurter Bosphorus Ferries The Islands Earthquake On Reading: Words or Images The Pleasures of Reading Nine Notes on Book Covers Victor Hugo's Passion for Greatness Dostoyevsky's Fearsome Demons The Brothers Karamazov Albert Camus Reading Thomas Bernhard in a Time of Unhappiness The World of Thomas Bernhard's Novels No Entry Where Is Europe?

A Guide to Being Mediterranean Andre Gide Family Meals and Politics on Religious Holidays The Anger of the Damned Traffic and Religion Tell Us Where You Are:. Preview Your Review. Thank you. Your review has been submitted and will appear here shortly. Extra Content.


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I have been reciting these words for some time now. From time to time, I do other sorts of writing: essays, criticism, reflections on Istanbul or politics, and speeches. But my true vocation, the thing that binds me to life, is writing novels.

There are also the great writers to whom I return again and again, Tolstoy, Dostoyevsky, and Thomas Mann, whose careers spanned more than fifty years. So why do I make so much of my thirtieth anniversary as a writer? I do so because I wish to talk about writing, and most particularly novel writing, as a habit.

Other colors essays and a story orhan pamuk

In order to be happy I must have my daily dose of literature. In this I am no different from the patient who must take a spoon of medicine each day. When I learned, as a child, that diabetics needed an injection every day, I felt bad for them as anyone might; I may even have thought of them as half dead. My dependence on literature must make me half dead in the same way. For me, literature is a medicine. Like the medicine that others take by spoon or injection, my daily dose of literature—my daily fix, if you will—must meet certain standards.

Other Colors

First, the medicine must be good. Its goodness is what tells me how true and potent it is. To read a dense, deep passage in a novel, to enter into that world and believe it to be true—nothing makes me happier, nothing more surely binds me to life. I also prefer that the writer be dead, because then there is no little cloud of jealousy to darken my admiration. The older I get, the more convinced I am that the best books are by dead writers. Even if they are not yet dead, to sense their presence is to sense a ghost. This is why, when we see great writers in the street, we treat them like ghosts, not quite believing our eyes as we marvel from a distance.

A few brave souls approach the ghosts for autographs. Sometimes I remind myself that these writers will die soon and, once they are dead, the books that are their legacy will occupy an even more cherished place in our hearts. Though of course this is not always the case. Because for those who share my affliction, the best cure of all, and the greatest source of happiness, is to write a good half page every day. If you count only the work that is good enough to be published, my daily average is a good deal less than half a page.

Most of what I write does not meet my own standards of quality control.

raygler-rus.ru/templates/2019-12-21/114-rencontre-gay.php These, I put to you, are two great sources of misery. Literature does not allow such a writer to pretend to save the world; rather, it gives him a chance to save the day.

Orhan Pamuk in Conversation with Massimiliano Gioni

And all days are difficult. When you cannot do any writing. The point is to find enough hope to get through the day, and, if the book or the page you are reading is good, to find joy in it, and happiness, if only for a day. First, the world changes before my eyes; it becomes unbearable, abominable. I think it was really one, since by this time Pamuk had found his own way of telling whatever he wanted to tell with the help of the vehicle of intertextuality. The novel gathers many poles: daily reality, dreams, artistic perception, historical knowledge, the deeper psychology of the persona and the plot of a thriller.

Among Orhan Pamuk novels, "Kara Kitap" is the most poetic in my opinion. Though K. These later novels are the literary and political projects of a world-famous writer. However, "Kara Kitap" is the great effort of a man who wants to overcome anything before he becomes a major writer. The novel was not only the climax of Orhan Pamuk's career as a novelist, but it became a focal point for postmodern fiction in Turkey because a vast number of readers embraced postmodern ideas thanks to "Kara Kitap.

After "Kara Kitap," Orhan Pamuk became a much more famous writer and wrote directly to his readers. His later novels, essays and reminiscences aim at Orhan Pamuk readers' customs and expectations.


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Now, he speaks not from the darkness of an artistic mind but from the desk of a respected author. Yet, he neither displays a god-like authority as a modern realist fiction writer nor is he too sympathetic to his readers as some postmodern writers choose to do. He keeps his distance and continues telling stories of personas, not of people. X Close with photo without photo Print.

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